Musings on photography both analog and digital
There are two kinds of people, perhaps: those who are energized by the onset of summer, living their best experiences during the time, and those who feel the opposite, for whom summer seems too loud, crowded, hot and fast-paced. I have always been in the latter camp. If you're in the former, I congratulate you.… Continue reading Summer Doldrums
It has been a busy spring, nonetheless I have been photographing as often as I can. Having time afterwards to write, without distractions or mentally churning through past or upcoming tasks, is another story entirely. I typically like to write articles with a sort of theme or lesson (along with the occasional gear-review-flavored morsel), but,… Continue reading Keeping Things Rolling
You don't need to go too far down the home page of this website to see a post about the Pentax K-3 Mark III Monochrome. In that post from May, I made it quite clear that my short time with the camera (in February) left me wanting to keep it and shoot much more with… Continue reading Pentax K-3 Mark III Monochrome Review – The Advantages
We've had the term "elevator pitch" for a long time now. The idea is having a short, distilled message, usually a sales pitch, that can be given in a short time, hypothetically in the time it takes to share an elevator ride, though I'm not sure how often that has actually been tried. The elevator… Continue reading Pentax K-3 Mark III Monochrome Review (Over the Phone)
Things have been upended, we all know this and deal with it on a daily basis. Even in my neck of the global woods (shout-out to the podcast Stuff They Don't Want You to Know for that line, which I shamelessly stole), daily life has not been the same for quite some time now. Most… Continue reading Street Notes, July 2020
Micro Four Thirds cameras are frequently criticized due to their sensors being smaller than full frame, which makes it harder for photographers to get the "look" that's become emblematic of large sensors: shallow depth-of-field, smooth highlight transitions and lots of dynamic range. These characteristics were usually present (with the exception of the last, which… Continue reading Getting the Analogue Film Look from Micro Four Thirds In-Camera
The snapshot has a longstanding connotation of inferiority. Even if you enjoy making them, you probably acknowledge this apparent consensus, and perhaps even feel guilty about owning up to taking snapshots. This would be a mistake, for to assume that a snapshot must be a bad photograph is to miss what a snapshot is: not… Continue reading Are Snapshots Inferior Photos?
January is a pretty rainy month in the Pacific Northwest, so I have not had many chances to bring the Voigtlander rangefinder from the early 2000's outside to shoot. Currently I have only shot two rolls of film, one a roll of expired Fuji color film which is currently out for development, and the other… Continue reading Voigtlander Bessa T Between Storms
Recently I have been shooting black and white film and developing it myself (see earlier post), and have mainly been using a cheap and cheerful fixed lens rangefinder from the '70s, the Ricoh 500G, which I obtained from a fellow member of a good photography forum for next to nothing. It's a fun camera with… Continue reading Voigtlander Bessa T Heliar 101 Edition Unboxing Photos
I recently started shooting film again, with an added twist: I resolved to develop black and white film myself. Where I live, the only options for having film developed are either mailing it off or leaving it at the local Fred Meyer and having them mail it off. Either way, the turnaround time is long… Continue reading Film!
The Sprocket Docket 